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The RIP.ie WhatsApp moment that has Ireland talking

Every so often, Ireland gets a wildfire WhatsApp moment. Not a meme that trickles out from Twitter or a clip that builds slowly on TikTok, but something that arrives simultaneously in seemingly every group chat in the country, landing with that perfect mix of “how is this real” and “only here”. This week’s example came from the most unlikely of places: an online condolence book.

If you’ve found your way here after searching for “Martin from Roscommon RIP message” or something similar, this isn’t an exposé. We’re deliberately not publishing the screenshot, not naming the deceased or their family, and not including surnames or specific locations. The point of this piece is to look at what this moment says about how we use platforms like RIP.ie and what a site of its size and reach owes its users in terms of basic safeguards.

What happened on RIP.ie

A condolence message appeared on a death notice on RIP.ie in which a man, now widely referred to online as “Martin from Roscommon”, appeared to use the space to try to reconnect with a woman he had known roughly four decades earlier. He had spotted her name listed among the bereaved family.

The message, as widely described in screenshots circulating on Irish WhatsApp groups, saw him recall that he had always liked her, reflect on what might have been, and then sign off with his full name and mobile number, essentially turning a public condolences section into a very personal missed connections post. If you’ve ever read the classifieds of the Ireland’s Own – we’re in that territory.

The condolence has since been removed from RIP.ie. Nothing about the background story has been verified, and it is worth being completely clear about that. We do not know whether the two people were ever close, whether contact was welcomed, what happened next or if they even exist to a certain extent. What we do know is that a grieving family found themselves at the centre of a national in-joke at what is almost certainly the worst time of their lives, and that deserves to be acknowledged before any of the humour.

The reactions: gallows humour, discomfort and something a bit sadder

But, depending on the family, this could be the funniest thing to happen to them either. And to be honest, the Irish internet’s response has been predictably, gloriously unhinged. The jokes have been fast, dark and very funny in places, with people imagining RIP.ie rebranded, with “Mournhub” being absolutely top-notch comedy in my opinion. Classic Irish gallows humour, and hard to begrudge in isolation.

That said, a fair number of people have also found it uncomfortable. A condolence book is a space people visit while they are grieving, often within hours of losing someone. While almost certainly accidental, the idea of someone using that space for what amounts to a romantic overture, however wistful and well-intentioned it may have been, sits uneasily.

Then there is the third read, which is probably why this particular story has stuck. There is something genuinely melancholy about the idea of an older man, haunted by an old connection, finally working up the nerve to say something after 40 years and doing it in entirely the wrong place. It is funny, certainly. It is also a little sad, and that combination is exactly the kind of thing that makes something travel.

We’re going to get a Netflix movie about this, aren’t we?

What this tells us about how RIP.ie works

RIP.ie, which is now part of The Irish Times Group, has quietly become one of the most visited websites in Ireland. It is not just an obituary listing service at this point. It functions as a kind of national noticeboard, an inadvertent social graph that connects names, locations, family relationships and community ties in one searchable, public place.

The condolences section operates on free-form text. There is no automatic filtering to catch phone numbers, email addresses or other personal data before a message goes live. In most cases that is fine, because most people posting condolences are doing exactly that. But this week’s viral moment is a fairly clear demonstration of why some basic guardrails would be sensible.

A few straightforward changes could prevent this kind of thing recurring. Automatically flagging or blocking Irish mobile number formats and email addresses in condolence text would be a reasonable starting point. A clearer warning at the point of posting, something along the lines of “this message and any personal details you include are public and may be screenshotted and shared”, would help people understand what they are actually doing. Faster, simpler tools for families to flag and remove messages that overstep the mark would also make a meaningful difference.

To be honest, when a large group like The Irish Times Group takes over a platform like this, you’d like to think this will be thought of before it’s forced. Either way, it is almost certain that RIP.ie and The Irish Times will look at tightening this up in the wake of the attention this has received. These are not complex changes. They are the kind of common-sense UX decisions that a platform of this scale and sensitivity probably should have had in place already, and the good news is that none of them would require significant rebuilding.

The platform literacy problem

I want to build on a point I made earlier. “Martin from Roscommon” almost certainly did not fully understand that RIP.ie is a completely public website whose content can be copied, screenshotted and circulated in seconds. If he is older and more accustomed to local newspaper norms, where a condolence in a print publication might be read by a few hundred people in the local area and then forgotten, the leap to “this will be in every WhatsApp group in Ireland by teatime” is not an obvious one.

That is not an excuse for the choice he made. But it does point to something that platform designers need to take seriously. You cannot assume that every user understands the reach of what they are posting. A platform that is used by people of all ages, many of whom may be older, distressed and not particularly tech-savvy, has a responsibility to protect users from the unintended consequences of their own posts as much as possible. That means building the safeguards in, not hoping that people will read the terms and conditions.

The broader privacy picture on RIP.ie

This incident sits within a wider conversation about what RIP.ie makes possible beyond the obvious. When you combine full names, family relationships, locations and unmoderated free-text in one searchable public database, you are creating something that can be used in ways the platform never intended.

There have been accounts shared online of the site being used to piece together detailed information about grieving families, including cases where the specificity of obituary detail has raised real safety concerns. Most users will never encounter anything like that. But a platform of this reach and this sensitivity probably needs to be thinking about the edge cases more carefully than it has been, and not just in the context of phone numbers left in condolence messages.

When you think about it in terms of privacy and cyber security – an RIP entry can have maiden names and full family trees listed for those who are dedicated enough.

The very Irish ending

Only in Ireland could an obituary site become the backdrop for a viral “shoot your shot” saga, complete with competing pun-based rebrand suggestions and genuine national debate about the etiquette of online grief. That is worth appreciating, briefly, before returning to the point.

Behind every WhatsApp joke this week, there is a real family dealing with a real bereavement who did not ask to become part of a national punchline. There is also, in all likelihood, a very mortified man who made a misjudged decision in a public space he did not fully understand. A few smart, simple design choices from RIP.ie could make sure that the next time someone tries something like this, the platform catches it before the rest of Ireland does.

For now, poor auld Martin is probably dreading his next trip to the pub.

The best David Attenborough documentaries, ranked by the numbers

Sir David Attenborough turned 100 on 8 May 2026, a milestone only a tiny fraction of people ever reach, and none of them with a back catalogue that has redefined how an entire species understands its own planet. LEGO marked the occasion by updating its classic “4-99” age label to “4-100+” in a birthday tribute post, with the line “There’s no age limit for those who never stop playing.” It is a good line, and a good excuse.

Rather than another opinion-led list of his best work, this one asks a different question: what do the numbers actually say? We pulled IMDb audience scores, Metacritic critic scores where available, and box office data for his most recent release, and the results are genuinely interesting. Some of the obvious picks are obviously great. Others are rated just as highly and almost never mentioned. A few surprises sit right at the top.

How we ranked them

Three simple, consistent sources: IMDb audience rating, Metacritic score where available, and box office or viewership data where relevant. Almost all of Attenborough’s major series cluster between 8.5 and 9.5 on IMDb, which makes the small gaps meaningful. A 9.4 versus a 9.0 across hundreds of thousands of votes is not noise; it is a genuine signal.

The results split naturally into three tiers: the series that earn every word of the hype, the modern experiments that over-deliver, and the underrated heavyweights that rate almost identically to Planet Earth but rarely make anyone’s top five.

Tier 1: The series that earn the hype

Ocean with David Attenborough (2025)

Start here because it is the newest, and because the numbers behind it are remarkable for a documentary. Ocean arrived in cinemas on 8 May 2025, coinciding with Attenborough’s 99th birthday, and became the highest-grossing documentary release of 2025 in the UK and Ireland, as well as the highest-grossing nature documentary in cinemas this decade. It is now on Disney+. The film covers coral reefs, kelp forests and open ocean, and lands closer to a rallying cry than a traditional nature series. Surprisingly hopeful for something built around urgency.

Planet Earth (2006)

The one that most people think of first, and the numbers back that instinct up. Planet Earth sits at 9.4 out of 10 on IMDb from around 235,000 votes, making it one of the highest-rated television series on the entire platform, not just within the nature genre. That is not a niche audience giving it a pass; it is a genuine mass consensus. If someone asks where to start, this is always the right answer, and the data agrees.

Blue Planet II (2017)

By critic consensus, this is arguably the best-reviewed series Attenborough has ever made. Blue Planet II holds a Metascore of 97 on Metacritic alongside a 9.3 out of 10 on IMDb. The underwater cinematography is unbelievable in places, and the plastic pollution episodes were widely credited with shifting public behaviour around single-use plastic in a way that campaigns alone never managed. If Planet Earth has the cultural weight, Blue Planet II has the critical consensus.

Planet Earth II (2016)

Ten years after the original and somehow even more impressive technically. Planet Earth II holds a Metacritic score of 96 alongside a 9-plus IMDb rating, meaning both critics and audiences rate it ahead of almost everything else in the genre. The baby iguana and snake sequence became one of the most watched nature clips in television history. The Cities episode alone is worth the watch.

The Blue Planet (2001)

Before the original Blue Planet, the ocean felt unknowable on screen. It holds a 9.0 on IMDb and is regularly cited by the BBC and others as the series that changed how ocean documentaries were made. The sequel may have surpassed it on critic scores, but the original set the template for everything that followed.

Our Planet (2019)

Our Planet sits at 9.2 out of 10 on IMDb, putting it right in the conversation with the very best of his work. It marked Attenborough’s arrival on Netflix and brought a harder environmental edge than most BBC productions. The walrus cliff sequence became infamous, sparking genuine debate about how nature documentaries handle difficult footage. Available on Netflix Ireland.

Seven Worlds, One Planet (2019)

Here is where the data starts to tell you something the casual conversation around Attenborough’s work does not. Seven Worlds, One Planet holds a 9.3 out of 10 on IMDb, statistically right alongside Blue Planet II and Planet Earth II, and yet it almost never makes anyone’s shortlist. It structures its seven episodes around the continents, and the Antarctica episode in particular is exceptional. This is one of the clearest gaps between the numbers and the cultural memory.

Frozen Planet (2011)

Frozen Planet sits at 9.0 on IMDb and is frequently singled out as the definitive record of the polar regions before rapid climate change began to alter them permanently. The sense of scale, ice shelves collapsing, polar bears navigating sea ice, migration across frozen tundra, gives it a weight that the broader ecosystem series do not always match. Available on BBC iPlayer and Netflix Ireland.

Life on Earth (1979)

Everything starts here. Life on Earth is more than four decades old and it shows in the production values, but context matters enormously. This was the series that defined what a nature documentary could be, that planted the techniques, the camera patience, the visual storytelling, that everything above is built on. It still appears consistently in BBC and anniversary best-of lists precisely because without it, none of the rest exists.

Tier 2: Modern experiments that over-deliver

Prehistoric Planet (2022)

The most surprising entry on this list by some margin. Prehistoric Planet uses photorealistic CGI to put Attenborough in a nature documentary about dinosaurs, and it holds an 8.4 out of 10 on IMDb, which is unusually high for fully effects-driven work. Reviewers consistently highlight how naturalistic it feels. The technology has reached the point where you forget you are watching rendered creatures. The first two series, narrated by Attenborough, are exclusive to Apple TV+.

Wild Isles (2023)

This one deserves more attention from Irish audiences specifically. Wild Isles holds an 8.6 on IMDb and is the only major Attenborough series to spend serious time on British and Irish ecosystems, puffins, otters, killer whales off the Scottish coast. It is a quieter series than Planet Earth, and that is exactly what makes it worth watching. Available on BBC iPlayer and Amazon Prime Video Ireland.

Life in Colour (2021)

An 8.2 on IMDb for a three-part concept series built entirely around colour vision is solid. It is unusually focused compared to the sprawling ecosystem epics, which means it works better than it might sound, and it covers territory none of the bigger series bother with. Worth a look if you have worked through the obvious ones.

Tier 3: Underrated heavyweights

Dynasties (2018)

The most striking gap between rating and reputation on this entire list. Dynasties holds a 9.1 out of 10 on IMDb, putting it in essentially the same bracket as Planet Earth II and Our Planet. And yet it almost never appears in casual top-five lists. It follows individual animals over time rather than surveying ecosystems, five episodes, five species, and the chimpanzee episode in particular is extraordinary. If you have watched everything in Tier 1 and want to know what to watch next, this is the answer the data gives you.

Life (2009)

Life does not always surface with a clean IMDb number in the way some others do, but BBC and critic retrospectives consistently place it alongside Frozen Planet and Planet Earth at the very top of his output. It takes the Planet Earth format and pushes it further into animal behaviour, dedicating each of its ten episodes to a different group of species. Some of the predator and prey sequences are among the most extraordinary ever filmed. Available on BBC iPlayer and Netflix Ireland.

The Private Life of Plants (1995)

The data point that surprises people most. The Private Life of Plants holds a 9.0 on IMDb, more than holding its own against 4K productions made thirty years later. It uses time-lapse photography to reframe plant behaviour as something genuinely dramatic, and it works in a way that should not be possible for a mid-90s series about plants. Among Attenborough enthusiasts it is consistently cited as one of his finest pieces of work. Available on BBC iPlayer.

What the numbers actually tell you

The Tier 1 series are tier one for a reason. Planet Earth, Blue Planet II, Planet Earth II, Our Planet, all of them earn their reputation with both audiences and critics, and the IMDb scores reflect genuine consensus across hundreds of thousands of votes. The surprise is how close the rest are. Dynasties rates the same as Our Planet. Seven Worlds, One Planet rates the same as Blue Planet II. The Private Life of Plants, a thirty-year-old series about plants, sits level with Frozen Planet. The cultural conversation around Attenborough has a shortlist, and the data suggests it is too short.

One more thing worth adding. On his 100th birthday, the BBC confirmed that Blue Planet III is in the works and that Attenborough will return to narrate it. Retiring at 100 was apparently never under consideration.

Where to watch David Attenborough documentaries in Ireland

Most of the BBC catalogue is on BBC iPlayer, which requires a VPN for Irish viewers. Netflix Ireland carries Planet Earth II, Blue Planet, Blue Planet II, Life, Our Planet and Dynasties. Ocean with David Attenborough is on Disney+. Prehistoric Planet is on Apple TV+. Wild Isles is on Amazon Prime Video Ireland. For anything else, JustWatch Ireland is the fastest way to find where each series is currently streaming.

Trump Mobile’s T1 phone: what your $100 deposit actually bought Trump supporters

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Around 600,000 people paid a $100 deposit for the Trump Phone, a gold-coloured Android smartphone endorsed by Donald Trump Jr. and Eric Trump, marketed as a patriotic alternative to Apple and Samsung, and promising American manufacturing at an honest price. As of May 2026, not a single confirmed customer has received the device. The backlash, which has been building since last summer, is now very public and very loud.

What was originally promised

Trump Mobile launched in June 2025 at Trump Tower, with the T1 pitched as a bold statement in phone hardware. The device was marketed as a gold-coloured Android handset bearing an American flag on its back, retailing at $499 and bundled with a monthly service plan at $47.45 per month, a figure chosen as a nod to Trump being the 45th and 47th president. The branding was deliberate, the patriotic messaging was everywhere, and early enthusiasm from the target audience was genuine. Buyers were told to expect delivery in late 2025.

What the small print actually said

This is where things get uncomfortable. The terms of service that accompanied the deposit process made for sobering reading, and most people evidently skipped them. A revised terms of service published in April 2026 stated explicitly that paying a deposit does not constitute a completed purchase and does not create a binding legal contract, describing the payment as a conditional opportunity to buy the device if Trump Mobile eventually chooses to sell it, with the company retaining full control over whether a phone is produced at all.

So the headline on the website promised you were locking in promotional pricing, while the legal document sitting behind it said pricing could change at any time, no inventory was guaranteed, no delivery date was binding, and the company had no obligation to produce the phone. That gap between marketing language and legal reality was always there for anyone who looked.

How the delays unfolded

The original late 2025 delivery window came and went without explanation. In January 2026, a call centre operator told customers the T1 was in the final stages of certification and field testing, with a ship date sometime in Q1 2026. That quarter has now passed. As of May 2026, the phone has yet to be certified by T-Mobile and no T1 phones have been delivered to customers.

The “made in America” angle collapsed even faster. Within days of the June 2025 launch, the “made in the USA” language vanished from the Trump Mobile website, replaced with phrases like “American-proud design” and “brought to life right here in the USA,” language that supply chain experts noted was legally and commercially meaningless. By February 2026, company executives confirmed the T1 would not be manufactured in the United States, with bulk production happening overseas and only final assembly of roughly ten components taking place in Miami.

The phone itself is widely believed to be a reskinned version of the Chinese-made Wingtech Revvl 7 Pro 5G, a device already sold by T-Mobile in the United States.

The social media fallout

The human side of this story has played out mostly on TikTok and X. Buyers who put down multiple deposits, or who brought friends and family along for the ride, have been sharing increasingly frustrated updates with no response from the company. Senator Elizabeth Warren and Representative Robert Garcia led nine lawmakers in writing to the Federal Trade Commission, citing a pattern of potentially deceptive practices and asking it to examine bait-and-switch tactics involving deposits for products never delivered, as well as the false advertising around US manufacturing. California’s governor went further, publicly describing the T1 project as fraud.

Trump Mobile has not responded to multiple press inquiries, and the FTC has not publicly confirmed whether a formal investigation has been opened.

What buyers should do now

The practical advice here is relatively straightforward. Deposits are reportedly refundable on request, and the terms do support this, so the first step for anyone sitting on a $100 outlay with no confidence in the product is simply to ask for it back. Contact Trump Mobile directly, be explicit that you are requesting a full refund, and keep a record of the communication.

The harder question is whether to wait. There is no confirmed ship date, no independent confirmation the device exists as a finished consumer product, and a track record of missed deadlines stretching back nearly a year. Waiting costs nothing except continued uncertainty, but that uncertainty is now very well established.

The broader lesson this episode illustrates is worth keeping in mind for any branded tech product that launches on hype alone. Treat pre-orders and deposits the same way you would treat crowdfunding contributions. Money handed over before a product exists is a bet, not a purchase, and the terms of service will almost always reflect that reality even when the marketing does not.

Or, if you’re a Trump supporter – do nothing. Fools and money etc.

Read before you commit

The terms were public from the start. The contradiction between the homepage headline and the legal document underneath it was always there. That is not a defence of what has happened to the people who paid, but it is a useful reminder that enthusiasm for a brand, any brand, is worth pausing on. A few minutes with the small print before handing over money can save a lot of frustration later.

A game changer: how VR technology is bringing football back to visually impaired fans

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As I watched Liverpool playing Chelsea, the camera cut to someone on The Kop wearing a VR headset – so I got to reading.

For millions of football fans, the matchday experience goes well beyond the result. It’s the atmosphere, the shared tension, the collective noise of a crowd reacting in real time. For fans living with visual impairments, though, that experience has quietly become something they listen to rather than fully live. Crystal Palace may have just changed that.

The problem with watching football when your sight fails you

Stadiums have come a long way on physical accessibility. Ramps, designated areas, assistance services; the infrastructure for getting people through the gate has improved significantly. But the visual experience of actually watching the game has largely been left untouched.

When you can’t track the ball across the far side of the pitch, or read the game as it develops, you start to disengage from what’s happening around you. Many fans in this situation end up following matches on commentary alone, which is a fundamentally different experience to being there. The atmosphere remains, but the connection to the action fades. That gap between being present and feeling included is where this technology steps in.

What the GiveVision headset does

Crystal Palace became the first Premier League club to invest in GiveVision headset technology, and the way it works is more practical than the term “VR” might suggest.

The headset operates in two modes. The first works essentially as a powerful magnification tool, letting the wearer zoom in on specific areas of the pitch in real time. The second pulls in a live broadcast feed via a 5G network, integrating match footage directly into what the user sees. It’s less a virtual reality experience in the gaming sense, and more a wearable assistive device that bridges the gap between limited vision and full matchday engagement.

The underlying principle draws a useful parallel to hearing aids. Rather than replacing sight, the technology stimulates existing photoreceptor cells, working with whatever residual vision a user has. The goal is to enhance and amplify what’s already there, not fabricate something from scratch.

The debut and what it showed

The technology made its first appearance during Crystal Palace’s home fixture against Manchester United in September, and the response from fans who used it was telling. The shift from passively absorbing atmosphere to actively participating in it, reacting to chances, following the play, engaging with the crowd around you, is exactly the kind of outcome that moves the conversation from novelty to necessity.

That distinction matters. Accessibility provisions are often judged by what a venue provides on paper. The more meaningful test is whether a fan actually feels included in what’s happening on the pitch. Early results from Selhurst Park suggest the answer, at least for those who used the headsets, was yes.

The case for rolling this out more widely

Crystal Palace being first is significant, but the more important question is what comes next. Roughly one in 30 people live with some form of sight issue, which means across a full Premier League season, the number of fans whose matchday experience could genuinely be transformed is substantial. This isn’t a niche edge case; it’s a large group of paying supporters who have been underserved by the existing setup for a long time.

The infrastructure requirements are real. Consistent 5G connectivity across different grounds, procurement costs, staff training; none of that is trivial. But the proof of concept now exists, and that removes the biggest barrier, which was the question of whether it worked at all.

An honest look at where the limits are

It’s worth being clear about what the technology can and can’t do at this stage. The GiveVision headset requires some degree of residual vision to function. For fans with more profound visual impairments, the current version may not be applicable, and that’s an important caveat to carry alongside the enthusiasm.

But limitations in a first iteration aren’t a reason to underplay what’s been achieved. Football has a long way to go on accessibility in the fullest sense, and this is a meaningful, well-evidenced step forward. The love of the game has never required good eyesight. The infrastructure around it is finally starting to reflect that.

Nintendo Switch 2 price increase: Christmas shopping early to pay off

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Nintendo has confirmed what many people suspected was coming. The Nintendo Switch 2 is getting more expensive, and if you’ve been sitting on the fence about picking one up, the clock is now ticking.

From 1 September 2026, the Switch 2 is going up to €499.99 in Europe, a €30 increase over the current price. For Irish buyers that’s a meaningful jump, and it lands at a particularly inconvenient time in the calendar.

Why is the Nintendo Switch 2 getting more expensive?

Nintendo’s official statement points to changes in market conditions expected to extend over the medium to long term. That’s fairly broad language, but the real picture is a mix of pressures that have been building for a while.

RAM and storage memory prices have risen significantly because of AI investments and supply chain pressures, and while they have started to ease more recently, costs remain considerably higher than they were. On top of that, rising production costs, transport expenses, and currency fluctuations have all played a role. It’s the same story driving up the cost of smartphones, laptops, and most other tech at the moment.

What’s worth noting is that Nintendo had previously held firm on the Switch 2’s launch price even as competitors Sony and Microsoft both raised prices on the PlayStation 5 and Xbox Series X. Nintendo held out longer than most.

Nintendo is at least giving buyers fair warning

It’s early May and Nintendo announced this increase, with the change not hitting Europe until 1 September. That’s nearly four months of notice, which is more transparency than we typically see from console manufacturers.

The timing is still awkward, though. September sits right in the run-up to Christmas, which puts families planning a Switch 2 as a Christmas 2026 gift in a tricky spot. Do you buy it over the summer at the current €469.99 and store it until December, or wait until closer to the holidays and absorb the extra €30? Nintendo hasn’t made that choice easy, but at least the window exists to plan around it.

Compare that to how price hikes have gone elsewhere in the industry, often announced with little runway and no apology. At least Nintendo acknowledged the impact and gave people time to respond.

Is the Nintendo Switch 2 still worth buying at €499.99?

This depends entirely on what you want from a games console. The Switch 2 is a hybrid device, working both as a home console connected to your TV and as a handheld you can take anywhere. That flexibility remains genuinely useful and still sets it apart from everything else on the market.

At €499.99, the Switch 2 now sits in the same price range as the PS5 and Xbox Series X, which is a fair point to raise. But those are home consoles only. The Switch 2 gives you portability too, and PC handhelds that offer similar flexibility tend to cost considerably more.

Nintendo’s exclusive library, things like Mario Kart World, Zelda, and the recently announced Star Fox, continues to be a genuine differentiator you simply cannot get anywhere else. If those games matter to you, the platform justifies the price. If they don’t, it probably doesn’t.

Nintendo has sold nearly 20 million Switch 2 units since launching in June 2025, with profits up 52% year on year, which suggests the hardware has earned its audience. The price increase doesn’t change what the console does, it just changes what you’ll pay for it.

Opinion here in Goosed Tower is divided too, but you can read what I myself think of it and what Alex thinks of it too.

The FOMO factor is real, but worth keeping in perspective

There’s a psychological pull that kicks in whenever a price increase is announced. Something you were mildly interested in suddenly feels urgent. That urgency is worth being aware of before it pushes you into a purchase you weren’t fully committed to.

That said, if you were already leaning towards a Switch 2 and were planning to buy one before Christmas anyway, buying before 1 September at the current European price is just common sense. You save €30 on the same hardware.

If you weren’t planning to buy one, a €30 increase shouldn’t be what tips you over the edge. Buy it because the console suits you, not because a deadline is looming.

What to do now

If you’re seriously considering a Nintendo Switch 2, buying before 1 September locks in the current €469.99 price. The window covers the whole summer, so there’s no need to rush out this week. Take the time to check whether the game library suits you, look at bundle options, and factor in the cost of accessories.

For families thinking about Christmas gifts in particular, it’s worth being practical about whether an earlier purchase makes sense. Storing a console for a few months isn’t ideal, but paying more for the same thing in November is arguably worse, especially when the saving is there to be had.

The broader trend here is that console prices are not going back down. Waiting used to be the sensible strategy; in this generation, patience has consistently meant paying more, not less.

GoMo fibre broadband launches with a price for life guarantee

GoMo has announced the launch of what it says is Ireland’s first fibre broadband plan with a guaranteed fixed price, coming in at €29.99 per month for life. The offer is available to the first 10,000 customers, runs on a 30-day rolling contract, and is exclusive to existing GoMo mobile customers as part of a bundled package. There’s a once-off activation fee of €49.99.

The pitch is straightforward. No price hikes, no in-contract increases, no long-term tie-in. GoMo applied the same model when it entered the mobile market back in 2019, and it genuinely shook things up at the time. Whether the same disruption translates to broadband depends almost entirely on one thing: the quality of the product.

Is GoMo fibre broadband worth switching to?

That’s the real question, and it’s a complicated one depending on your situation.

The Irish broadband market has a significant problem that GoMo’s pricing alone won’t solve. Virgin Media has a large chunk of customers effectively locked in, not through contracts, but through infrastructure. In many parts of the country, Virgin Media is the only provider with access to high-speed connections, particularly full fibre or high-capacity hybrid networks. If you’re in that situation, a €29.99 price for life offer from GoMo is irrelevant if GoMo’s network simply doesn’t reach your address.

That’s worth checking early. GoMo Fibre Broadband is subject to location and network availability, so the first step for anyone interested is confirming whether it’s actually available where they live.

For those who do have a genuine choice, the value here is real. Broadband pricing in Ireland has a frustrating history of introductory rates that creep up after 12 or 18 months, sometimes significantly. A fixed price with a rolling monthly contract sidesteps that entirely, and it removes the annual negotiation many customers end up doing just to stay on a reasonable rate.

The catch is that GoMo will need to match the reliability and speeds that established providers offer. A great price means very little if the service doesn’t hold up. Comreg’s annual fixed broadband report gives a reasonable baseline for what Irish consumers actually experience across providers, and GoMo will need to be benchmarked against that over time, not just at launch.

What the plan includes

To recap the specifics, GoMo Fibre Broadband offers a guaranteed fixed monthly price of €29.99, a 30-day rolling contract with no long-term commitment, fibre-to-the-home technology, and a fully digital customer experience. It is available exclusively to GoMo mobile customers, so you need to be on a GoMo mobile plan to access it. The once-off activation fee is €49.99, and availability depends on your location.

Full details are available at GoMo.ie.

What caused the .de internet outage

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On 5 May, a technical fault knocked large parts of the German internet offline. Websites ending in .de suddenly stopped loading, not just in Germany but around the world. It wasn’t hackers, a traffic surge, or servers going down. It was something quieter, and more revealing about how the internet actually works.

How the internet finds websites

Think of the internet like a phonebook. When you type something like example.de into your browser, your computer asks a system called DNS where to find it. DNS replies with the correct address, and the site loads.

Now imagine a tamper-proof seal on that phonebook, something that confirms the answer hasn’t been interfered with. That’s essentially what DNSSEC does. It’s a security layer added on top of DNS to verify that the directions you’re being given are legitimate.

During this outage, that seal broke.

What actually went wrong?

DENIC, the organisation responsible for managing Germany’s .de domain names, accidentally published faulty security signatures in their system. These signatures exist to prove that DNS answers are genuine and trustworthy. Because they were incorrect, computers checking them concluded something was wrong and refused to connect at all.

That’s why users saw hard errors rather than slow loading or partial failures. The system didn’t degrade gradually. It stopped.

Why it spread well beyond Germany

The fault sat at the very top of the .de system, meaning every request for a .de website passed through it. Because most modern internet providers verify these security signatures as a matter of course, the failure spread almost instantly across borders.

One bad update, one national domain, immediate global impact.

The good news is, that it was really brief and happened during quieter hours. Real people would have been impacted across Germany and the world, but it was a couple of hours. Nothing compared to the Iberian electric grid outage.

The bigger point

The internet feels like a sprawling, decentralised network, and in many ways it is. But parts of it are surprisingly concentrated. Entire countries’ web traffic can depend on a small number of systems working exactly as they should.

Security layers like DNSSEC are genuinely valuable. They protect users from being misdirected to fraudulent sites. But they also operate on a strict rule: if something looks wrong, block everything. That makes the system more secure under normal conditions, but more fragile when a mistake creeps in.

For most people, this looked like “the internet breaking”. For businesses relying on .de domains, it meant lost traffic, inaccessible services, and missed revenue with no obvious explanation and nothing they could fix themselves.

For anyone working in digital, it’s a useful reminder that even solid rankings and well-optimised infrastructure count for nothing if the underlying plumbing of the internet fails. The stuff you never see is often the stuff that matters most.

Roborock Saros Z70 review: It’s simply an excellent vacuum

I want to get something out of the way immediately. The Saros Z70 has a robotic arm. A robotic arm that picks things up, moves them aside, and sorts smaller items into a bin. My mind genuinely boggles that I have this sitting in my home. A product that was on the floor of IFA as a concept not long ago is now doing laps of my kitchen every evening, answering to the name Rocky. That alone deserves a moment before we get into the details.

And now it becomes a divided tale. The Roborock Saros Z70, available in Harvey Norman for €1,149, is a bloody great vacuum. But the arm is a bit of a gimmick.

Design

The Z70 is genuinely striking in person – the Lamborghini of robovacs. It sits at just 7.98 cm tall, which is noticeably lower than most competing flagships, and that slim profile earns its keep in practice. It gets under furniture that other robots, like my old Eufy, simply cannot reach, low bed frames, the gap under the kitchen units that quietly accumulates crumbs for months.

On the Z70’s first run it went under my couch and out the other side utterly blowing my mind, before going under the drinks cabinet that never sees a robovac driving underneath it.

I’ve not seen these profile come with any trade-off either – no drop in power, suction power, mopping, functionality or navigation ability.

The dock that the Z70 calls home is as serious a piece of kit as the vac itself. The multifunctional dock handles auto-emptying, mop washing at 80°C, detergent dispensing, warm air drying, and more, all without you touching anything. It can go around seven weeks between dust bag changes under normal use. It’s the kind of setup that makes you feel the price is at least going somewhere tangible.

Functionality

Strip away the arm entirely, and you’re left with an exceptional cleaning machine. The mopping is impressive with just amount of water being used – you can tell the floor has been mopped without buckets of water being left behind. The hot water mopping offers adjustable flow levels and a mop that spins at 200rpm. The mops also come out from the machine to get into corners with very little of the floor missed.

One thing worth flagging is that the water tanks aren’t massive, so if you’re running frequent cycles you’ll find yourself filling and emptying more often than you’d like. I had to dial in the mopping frequency to keep that manageable. Also it’s worth getting robovac detergent too. When just using water, the dirty tank had quite a smell off it which has subsided now that I’ve bought some robovac specific detergent (important for foam management).

The navigation is where the Z70 really shines for me. It uses LiDAR combined with Roborock’s StarSight 3D system, and the result is mapping and spatial awareness that feels intelligent. The cameras on this thing are remarkable. Remote controlling it through the app is like having an extra mobile security camera in the house, you get a decent real-time view of whatever room you send it to.

That said, it still gets regularly stuck on my clothes horse. Daily, for about five minutes, until it wriggles free. I’ve used the obstacle avoidance training in the app to flag it as a no-go zone and that has helped, but it took some dialling in. The avoidance system can recognise and learn up to 50 custom objects on top of the 108 it comes pre-trained on, which is a useful feature once you know it’s there.

Voice control has become one of my most-used features. I make dinner at different times every night, meaning I can’t schedule a post-dinner run, but I always want Rocky to clean the kitchen once prep is done. I just say “Rocky, clean the kitchen” and off he goes to that specific zone, vacuuming and mopping in one pass. No scheduling, no app required in the moment. It fits around how I actually live rather than forcing me to live around it.

The arm

The elephant in the room so to speak. Honestly, it’s a bit of a gimmick. A brilliant, jaw-dropping, hard-to-explain-to-visitors gimmick, but a gimmick nonetheless.

@goosed_ie

Roborock is launching in Ireland. Available exclusively (for now at least) at Harvey Norman. #robovac

♬ original sound – Marty | Goosed.ie

If it successfully picks something up half the time, it’s doing well. The five-axis OmniGrip arm can handle objects up to 300g and uses dual cameras and a weight sensor to avoid crushing things, which is thoughtful engineering. On a good day, Rocky will quietly relocate a sock to the provided sorting bin or shuffle a pair of shoes to one side.

On St. Patrick’s Day, with friends over, he grabbed a tea towel, draped it over his own camera, blinded himself, and swallowed it into the roller. He became the most entertaining guest at the gathering, even if for all the wrong reasons.

The arm’s capabilities expand through firmware updates moreso than on-device learning, so it is improving over time, but I feel this early run will always be limited. However, I hold out hope it will get better as a concept.

I knew going in that this is an early adopter product in every meaningful sense. The fact that something that existed as a trade show concept is now physically in my home, occasionally moving my shoes around, is still remarkable to me. People visiting always ask to see it working – I just have to manage expectations.

Coolness factor

As vacuums go, this is the coolest one I’ve ever had. First, when people come over it’s always a conversation starter. Friends who have no interest in tech whatsoever stop and stare when Rocky starts moving things around. The combination of LiDAR navigation, real-time remote viewing, voice control, and a physical arm picking up objects is genuinely sci-fi in a way that other robovacs, however capable, simply are not. If you’re the kind of person who finds this category of product interesting, the Z70 takes it to a different level entirely.

Broadly speaking, robovacs change your entire life at home. I really don’t want to come across disingenuous or overly dramatic here. We’re a no shoes in the house family. That means I often come down to make a coffee in the morning in my bare feet and felt dust everywhere. Becuase Rocky is cleaning over night, deepcleaning once a week and mopping every couple of days – the floor is nearly always immaculate – because I’ve tuned the cleaning cycles into my own life.

Value for money

At €1,149 from Harvey Norman, the Z70 sits firmly in premium territory. If pure cleaning performance per euro is the metric, you can find robots that vacuum more effectively for less, and for straightforward vacuuming and mopping without the arm, something like the Roborock Saros 10 is a little cheaper with much of the same technology minus the arm.

But the Z70 is not really selling you pure cleaning performance. It’s selling you the dock, the navigation, the voice control, the remote camera, and yes, the arm. For the extra €150-ish, you get one of the most talked about gadgets in home cleaning.

If you go in understanding that the arm is an early-stage feature that will keep improving, and you want the most technically ambitious robot vacuum available right now, the Z70 at this price is easier to justify than it would have been at launch. It is an extraordinary piece of technology. Just maybe keep your tea towels off the floor for now.

Find The Best SIM Only Deals In Ireland Right Now | March 2026

This is for information only. Pricing is correct as of 1st May 2026. Please see network provider websites for the latest prices, connection types, fees and detailed terms and conditions.

I’ve stood back and looked at the Irish SIM-only market over the past few years and the gloves have come off. First of all, Eir’s GOMO network really kicked things off with their Ryanair-style approach to SIM-only plans. Three’s 48 was next in line while Vodafone recently launched Clear Mobile to take the two on. So, if you’re in the market right now for a new SIM-only plan, which network should you go with? I’m going to show you the best value on the market today and a little further down the page, I’ll tell you why these SIM-only plans can probably save you money.

Every month, we rank Ireland’s main SIM-only plans by what they actually cost you over 12 months, not just the headline monthly figure you see advertised. A €10 per month plan with a connection fee and a price hike after six months is not the same as a €12.99 plan that stays flat forever. The 12-month total is the fairest way to compare.

All plans below include unlimited calls and texts within Ireland. Fair usage policies apply, but they are generous enough that most people will never come close to the limit.

Annual cost comparison — year 1 vs year 2

Year 1 Year 2
Lyca Mobile
€132
€240
48
€150.87
€155.88
Clear Mobile
€168.87
€155.88
Virgin Media
€180
€180
Sky Mobile
€180
€180
GOMO
€194.87
€179.88

Updated May 2025. Prices correct at time of publication.

Top pick — May 2025

This month’s top pick: Lyca Mobile

Monthly €11 (normally €20) Activation fee €0 Year 1 €132 Year 2 €240

Lyca Mobile takes the top spot this month on the strength of its introductory pricing. At €11 per month with no activation fee, the 12-month total comes to €132, which is the cheapest annual figure in the market right now, and it includes 5G.

The catch is worth being upfront about. That €11 price is a promotional rate for your first 12 months only. After that, the standard price of €20 per month kicks in, pushing year two to €240. That is a significant jump, making Lyca more expensive in year two than every other plan on this list. Set a calendar reminder now to reassess at the 11-month mark.

You also need to activate automatic renewal to qualify for the promotional rate, and if a payment fails you lose the offer. Go in with your eyes open and it is a genuinely strong deal. The plan includes 5G, unlimited calls and texts, and a bundle of international minutes, which is useful if you regularly call abroad. Lyca also supports eSIM if you want to skip the physical SIM entirely.

This is for: Anyone after the lowest possible year-one cost, people who make international calls, and anyone looking for a cheap second number. Not for people who forget to switch networks, because year two will cost you.

48

Monthly €12.99 Activation fee €12.99 Year 1 €150.87 Year 2 €155.88

48 is Three’s value brand and has been the benchmark for cheap Irish mobile for a few years now. It misses the top spot this month purely because Lyca’s year-one price is lower, but for long-term value 48 is still the stronger choice for most people.

The key advantage is that €12.99 is the price for life. Once you pay the one-off connection fee, you know exactly what you are paying every year with no promotional cliffs to fall off. Year one works out at €150.87, and year two drops to €155.88 where it stays indefinitely.

On that plan you get 200GB of data per month, all calls and texts, and 5G at speeds of up to 100Mbps. EU roaming includes 14GB, taken from your monthly allowance. You can also save, share or donate unused data, including a 50c per 1GB donation to charity. The free trial SIM with 1GB of data lets you test Three’s network before committing, which is worth doing given coverage varies outside major cities.

This is for: People who want reliable long-term value and will not remember to switch again in 12 months. The free trial SIM makes it genuinely low-risk.

Clear Mobile

Monthly €12.99 Activation fee €12.99 (first month free) Year 1 €168.87 Year 2 €155.88

Clear Mobile is Vodafone’s value sub-brand, and the network is its biggest selling point. If Three’s coverage does not work where you live, work or commute, Clear Mobile gets you onto Vodafone’s infrastructure at the same headline price as 48.

Year one works out at €168.87, higher than 48’s equivalent, but from year two onwards the annual cost drops to €155.88, matching 48’s long-term figure exactly. The trade-off is data speeds. Clear Mobile caps 5G at 25Mbps, which is adequate for most everyday tasks including streaming, but can feel limiting for anyone doing heavy uploading or video calls regularly on mobile data.

This is for: Anyone who knows Three’s coverage is unreliable for them and wants a low-cost Vodafone alternative. Not ideal if you rely heavily on fast mobile data away from WiFi.

Virgin Media

Monthly €15 Activation fee €0 Year 1 €180 Year 2 €180

Virgin Media keeps things simple with no activation fee and no promotional pricing. What you see is what you pay, €180 per year, every year. The plan includes unlimited calls, texts and data, and runs on the Three network.

The catch is that it is 4G only, which at €15 per month puts it at a noticeable disadvantage to both 48 and Lyca, both of which offer 5G at a lower price. Where it makes more sense is if you are already a Virgin Media broadband or TV customer, where bundling can simplify your bills and multi-line discounts are available.

This is for: Existing Virgin Media customers who want to consolidate their bills. For everyone else, 4G only at this price is hard to justify.

Sky Mobile

Monthly €15 Activation fee €0 Year 1 €180 Year 2 €180

Sky Mobile launched in Ireland in September 2024, making it the newest entrant on this list. It runs on the Vodafone network, which makes it more useful than Virgin Media for anyone with Three coverage issues, and unlike Clear Mobile there is no 25Mbps speed restriction on offer.

The downside is the mandatory 12-month contract, which is unusual when most plans here roll monthly. Sky’s more interesting angle is for people thinking about a new handset in the coming months. Their financing model keeps airtime and device contracts separate, with 0% APR over 24 or 36 months. Worth running through our bill pay versus prepay calculator before committing though.

This is for: People who need Vodafone coverage without Clear Mobile’s speed restrictions, and anyone who might want a handset in the near future.

GOMO

Monthly €14.99 Activation fee €14.99 (first month free) Year 1 €194.87 Year 2 €179.88

GOMO was the catalyst for the value price war in Ireland and deserves credit for that, but it now sits at the bottom of this list on year-one cost. At €194.87 for the first 12 months, it is the most expensive option here. From year two it settles to €179.88, which is more competitive, but by then you could have switched to something cheaper.

Where GOMO holds its own is on data. You get 120GB per month at genuine 4G speeds with no throttling, which makes it a better choice than Clear Mobile for heavy users who find 25Mbps limiting. GOMO runs on the Eir network, which has the widest geographic coverage in Ireland, particularly in rural areas where Three and Vodafone can be patchy.

This is for: Heavy data users in rural areas who need Eir’s network coverage. For everyone else, the year-one cost is difficult to recommend.

Ireland SIM-only plans compared

Provider Monthly Network Promo Year 1 Year 2 Data Speed
Lyca Mobile €11* Three 50% off, 12m €132 €240 60GB 100Mbps
48 €12.99 Three None €150.87 €155.88 200GB 100Mbps
Clear Mobile €12.99 Vodafone 1st month free €168.87 €155.88 Unlimited 25Mbps
Virgin Media €15 Three None €180 €180 Unlimited 100Mbps
Sky Mobile €15 Vodafone None €180 €180 Unlimited 100Mbps
GOMO €14.99 Eir 1st month free €194.87 €179.88 120GB 100Mbps

*Lyca Mobile’s introductory price for the first 12 months. Standard monthly rate is €20. All plans include unlimited calls and texts within Ireland. Fair usage policies apply. EU roaming included on all plans with varying data allowances. Prices correct at time of publication, May 2025.

Why Choose SIM-only?

There are loads of reasons why people end up buying SIM-only plans. Most of the time, it’s because you’ve been given a phone from someone else or bought an unlocked phone directly from a shop or manufacturer like Apple and just need a SIM card. You should always do the maths before you commit to a contract. Irish networks will offer you phones, sometimes without charging upfront, to get you into a 24-month contract. It’s often cheaper to buy the phone outright yourself from somewhere like Apple and grab a SIM-only connection.

Ireland’s Cheapest SIM-Only Plans: Frequently Asked Questions

We’re often asked questions about picking plans on our Twitter or other social pages. Here are some of the most asked questions we’ve come across when it comes to picking your new network.

Why would anyone pick Eir, Three or Vodafone over GOMO, 48 or Clear Mobile?

The “home networks” like Eir, Three or Vodafone might suit better if you are looking for some of the frills with a network. This might include your need for a new phone to be paid off over the duration of a contract, access to 5G mobile internet or special offer bundles like home TV and Broadband. Another example is loyalty programmes are often reserved for the main network.

Is GOMO as fast as Eir?

Technically, GOMO 4G and Eir 4G should be as fast as each other. Some things like the number of people using the network in an area might influence this. One big difference is that Eir also offers 5G, so if you have a 5G phone and are in a 5G area, you will be able to enjoy very fast mobile internet. But 4G is more than enough for most.

Is Clear Mobile as fast as Vodafone?

No. This is where Clear Mobile is very different to the other discount networks. 48 and GOMO offer 4G internet without a speed restriction. Clear Mobile does limit your speed to 5Mbps which is slower than the Vodafone network and the other discount networks. Remember though, speed always depends on where you are and 5Mbps is still fast enough to watch Netflix.

Is the 48 network as good as the Three network?

Like GOMO and Eir, there’s no real technical reason for there to be any difference between the 48 and Three network. Again, one exception is that Three does offer the option of 5G which means very fast mobile internet.

Why choose SIM-only?

If you already have a phone and just need a connection, then SIM-only offers a great bit of value. Even if you need a new phone, check out how much you would spend over 24 months getting a network contract versus buying the phone outright and getting a SIM-only deal.

What network are the discount networks based on?

48, Virgin Mobile, Lyca Mobile and Tesco Mobile all use the Three network. GOMO uses Eir while Clear Mobile runs on the Vodafone network.

What is Ireland’s cheapest SIM-only plan?

Right now, Virgin Media offers Ireland’s cheapest plan for the best value. It’s €10 per month which is €120 per year. But that’s just the first year. Remember the plan does increase to €25 per month in year two.

What are connection fees?

Connection fees are an initial charge from some networks for you to join their network. It’s usually the same fee as one month’s rental. So if your plan is €14.99 the network will likely charge you a €14.99 fee, making the total cost of joining €29.98.

Why do networks have connection fees?

These plans are really cheap in a competitive market. By adding connection fees, networks are trying to discourage you from changing networks regularly.

What about Lyca Mobile?

From time to time Lyca Mobile may actually be the cheapest network to avail of in Ireland. They also offer eSIM. They are hard to get in touch with if something goes wrong though, so we generally don’t recommend them on that basis.

Spotify price hike in Ireland: is it finally time to rethink your music streaming?

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I was literally having this conversation the night before the email arrived. My other half and I were doing that thing couples periodically do, sitting down and questioning whether we actually need everything we’re paying for each month. We pay for both YouTube Premium and Spotify, which, when you think about it for more than thirty seconds, is a bit ridiculous. YouTube Premium includes YouTube Music. So on paper, we’re doubling up.

Then the Spotify email lands. Our Duo plan, Spotify Premium for two people, is going from €16.99 to €18.99. It was €14.99 two years ago. That’s a 26% increase in two years, with no meaningful change to what you’re actually getting for that money beyond audiobooks I don’t listen to and podcasts I could get elsewhere.

For individual plan customers, you can expect €11.99 to become €12.99.

For some, it’s not a crisis. For other’s, it’s the breaking point. The breaking point I recently reached with Virgin Media, cancelling after over ten years with them because of another price increase. Death by a thousand cuts; I’ve said it so often.

The value question nobody wants to answer

Here’s the thing with Spotify. The product is genuinely good. The recommendations are excellent, the interface is smooth, and if you’ve been a user for years, your Wrapped data and curated playlists have become oddly personal. That’s not an accident. The longer you stay, the more friction there is to leave. Your listening history, your playlists, your routines, all of it is quietly working against the part of your brain that’s weighing up whether €18.99 is worth it.

This isn’t Spotify going from cheap to slightly less cheap. It’s a service that’s had multiple price increases in just a few years, and users aren’t seeing new features that justify the trajectory. The same core product, progressively more expensive, with Spotify’s own justification that it benefits artists doing very little to convince anyone who’s read anything about per-stream payouts.

Where YouTube Premium actually makes sense

Back to our situation. YouTube Premium costs €25.99 a month for a family plan, which sounds steep until you do the maths. Divided between two people, that’s around €13 each. It covers YouTube Music for both of us, removes ads across all of YouTube and YouTube Kids, and lets you play video in the background on mobile (achievable in other ways, but the most straight forward way).

Don’t underestimate the quality of life change that removing ads brings. If you use YouTube at all regularly, removing ads is transformative. I’m always briefly shocked when I use a browser without it and get ambushed by a fifteen-second ad before a two-minute video. The ad experience on YouTube without Premium has become aggressively bad, and that alone carries serious weight in the value calculation.

YouTube Music, to be fair, is not Spotify. The recommendations aren’t as refined. The social features and podcast integration don’t compare. But it works, it’s included in something we’re already paying for, and if you’re even a casual listener rather than a dedicated audiophile, it covers most use cases. Recently, I even had the experience of finding something on YouTube Music that was removed, for some reason, from Spotify.

The subscription creep problem

This isn’t really just about Spotify. It’s about the broader pattern that Spotify represents. We’ve gradually moved from owning media to renting access to it, and each individual subscription looks manageable until you add them all up. Music, video, cloud storage, gaming, productivity tools, the lot.

Speaking of gaming, I’ve written about this exact dynamic with Xbox Game Pass pricing in Ireland, which went up dramatically, triggered a wave of cancellations, and has since come partially back down. That cycle of hike, backlash and partial retreat tells you something important. These companies are testing how much friction they can introduce before people actually leave, and the answer is usually “quite a lot.”

But again, it’s death by a thousand cuts. In the past 12 months I’ve seen nearly every subscription I have increase with no respect to the price I signed up at or with loyalty being rewarded.

So are we actually going to cancel?

In this household, it’s very likely that this is the straw that breaks the camel’s back and leaves us giving YouTube Music a real shot. But I appreciate that most see the price of YouTube Premium and can’t justify it alone for “just removing ads”, not realising that Music is included too.

You’ll see plenty mentioning that they are returning to sailing the seven seas. This is in reference to piracy. Some will argue that Spotify’s model of you paying, but never owning anything means you can never steal it – if buying its owning, piracy isn’t stealing. As much as I love the sentiment of taking down “big streaming”, I can’t condone illegally downloading and stealing revenue from artists. It’s also simply just not that straight forward to start downloading music en masse to make your own Spotify, even if you are savvy with terms like “Lidarr” and “Plexamp”.

The hilarity of the scenario is that Spotify’s own foundations were based in piracy, and the company’s success moved many away from piracy by making music affordable and accessible. But you live long enough as a hero, you always become the villan.

The result is many with shift the questioning of their monthly Spotify sub from passive to active.

For us, the YouTube Premium family plan stays. The ad-free YouTube experience alone justifies it, and the music streaming is a bonus rather than the main draw. Tonight, a quick spot check of artists and content to ensure everything is on YouTube Music before we say goodbye to our Wrapped algorithm. Spotify is the one now sitting on the chopping block. Instead of the company making €2 extra per month from us, they’re losing €16.99 per month. Those maths matter, but only if others follow.

I’ve researched, to the best of my ability, the historical pricing of Spotify, which you can see below.

Ireland

Spotify subscription pricing in Ireland

Monthly list prices, direct from Spotify — 2012 to present. Click any plan card or chart point to explore.

Individual
€12.99
from Apr 2026
Duo
€18.99
from Apr 2026
Family
€22.99
from Apr 2026
Student
€6.99
from Sep 2025
Free
€0
since Nov 2012
Unlimited
€4.99
2012–2014, withdrawn
Price per plan — €/month
Price history chart for Spotify Ireland plans 2012 to 2026.
Select a point on the chart above
Price history explorer
Click any data point on the chart to see context about that price change.
Key milestones
Prices shown are based on publicly available sources and historical records researched to the best of the author’s ability. While every effort has been made to ensure accuracy, some historical prices could not be independently verified for Ireland specifically and have been inferred from wider sources. This information is provided for reference only. The author accepts no responsibility for errors or omissions. Standard monthly list prices only. Trial offers, promotional rates, and partner-bundled subscriptions are excluded. Entries marked * reflect prices inferred from Spotify’s wider-market announcements and later Irish page captures where an exact Irish-specific source was not recoverable. The Unlimited plan (€4.99) was withdrawn for new subscribers by late 2014; the dashed line on the chart reflects this. The Basic plan exists for eligible existing subscribers but has no publicly listed Irish price and is not included.